‘Borrowing those wasted youth to warn this life’. After more than a thousand days and nights away from the solo concert stage, along with the release of his seventh personal album, Li Ronghao kicked off his new tour ‘Across the World’ in the spring of 2023. The official announcement文案 caused a heated frenzy on social media. The sentence ‘I’m here. It’s been a long wait. I really want to cry.’ is not only Li Ronghao’s heartfelt words but also the voice that thousands of audiences have been looking forward to. From the first round of the tour ‘Born to be Li Ronghao’ to ‘Have an Ideal’, ‘Young and Promising’, ‘Sparrow’, and then to the latest ‘Across the World’, Li Ronghao and his production team, who have always attached great importance to stage effects, always carefully prepare surprises for fans. This round of ‘Across the World’ is Li Ronghao’s first stadium-level tour. The creative energy of the main creative team in conceiving content has reached an unprecedented level. They rack their brains only to give the on-site fans an unprecedented experience. Li Ronghao, who does everything himself, continues to serve as the concert director and music director. In the performance, he not only played drums, guitar, piano and double bass, but also covered rap songs. This superb control over various musical instruments and music styles surprised the on-site audience. At the same time, Li Ronghao also personally participated in the design of the visual presentation of the concert. Different animation effects visualize the melody of the songs, greatly expanding the expression of music content. The inwardly folded main stage presents a realistic naked-eye 3D effect. Speeding trains, rampaging elephants, and swimming whales seem to come out on the huge screen. The gorgeous performance costumes that change with the tracks are mostly from high-end custom-made brands. Fans praise Li Ronghao as a ‘walking clothes hanger’. ‘As soon as you appear, others seem nothing in comparison.’, ‘Every melody is a whole life.’, ‘If you have loved, there is no regret. What’s so regretful?’, and other classic lines are also frequently appearing lines in every after-viewing impression. The micro-movie of the theater version of ‘Across the World’ during the intermission for costume change is also written, directed and starred by Li Ronghao himself. He uses the plot to deepen the theme of the concert – there is no such thing as roaming freely in this world. It’s just an ordinary life. In addition to striving for excellence in music content, Li Ronghao’s nanny-style concert viewing service on his tour is also unique in the blooming performance market this year. He always personally posts to remind the audience to wear more clothes when it’s cold and drink more water when it’s hot on the concert day. The viewing tips are played in a loop on the radio before the start. The organizers also provide glow sticks, wet wipes, seat covers, ice packs or warm babies on the seats in various ways. The level of care is highly praised by fans. This round of tour has already been held in more than twenty cities. Li Ronghao has witnessed countless joys and tears of fans on the scene.
From the romance of rainy days to the boiling heat of high temperatures, witnessing a successful marriage proposal in Taiyuan, cutting a birthday cake in Changsha, and celebrating the tenth anniversary of his debut in Shanghai… When the encore song ‘Model’ plays, the covers of 7 albums and posters from past tours appear on the background screen, effortlessly touching the souls of the audience. The echoing chorus of thousands of people lingers in the venue, a testament to the ten-year achievements of the ‘Golden Melody Machine’ Li Ronghao. After more than 300 days of tour tempering, in 2024, ‘Sovereign of the Seas’ has transformed into ‘Sovereign of the Seas · Dragon Year’. Li Ronghao announced ‘new version, new stage, new arrangements, new content, new costumes, new forms, all new’. The new round of tour stops is about to resonate across the country once again. No matter how times change, no matter how trendy and modern they become, we will still be moved and hurt, that will never change. What kind of surprises will the new version of ‘Sovereign of the Seas · Dragon Year’ bring us? Let’s wait and see! Doors open at 10/12 Saturday, performance time and duration subject to the event.
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